Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Alexander Yakovlevich GOLOVIN
The Portrait of Mrs.Makovska

ID: 37296

Alexander Yakovlevich GOLOVIN The Portrait of Mrs.Makovska
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Alexander Yakovlevich GOLOVIN The Portrait of Mrs.Makovska


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Alexander Yakovlevich GOLOVIN

an important Russian artist and stage designer who designed sets for many productions by Sergei Diaghilev,1863-1930  Related Paintings of Alexander Yakovlevich GOLOVIN :. | Design | Portrait | Actress of E.A | Self-Portrait | Visualize |
Related Artists:
Henry Leonidas Rolfe
British,active 1847-81
Sebastiano del Piombo
1485-1547 Italian Sebastiano del Piombo Galleries Italian painter. He was one of the most important artists in Italy in the first half of the 16th century, active in Venice and Rome. His early, Venetian, paintings are reminiscent of Giovanni Bellini and to a lesser extent of Giorgione. With his move to Rome in 1511 he came under the influence of Raphael and then of Michelangelo, who supplied him with drawings. After the death of Raphael (1520) he was the leading painter working in Rome and was particularly noted as a portrait painter. In his finest works, such as the Piete (1513; Viterbo, Mus. Civ.) and the Flagellation (1516-24; Rome, S Pietro in Montorio), there is a remarkable fusion of the Venetian use of colour and the grand manner of central Italian classicism.
SWANEVELT, Herman van
Dutch Baroque Era Painter, ca.1600-1655 Dutch painter, draughtsman and etcher, active in France and Italy. His first signed and dated works are two views of Paris dated 1623 (Brunswick, Herzog Anton Ulrich-Mus.). He was in Rome from 1629 to 1641. His earliest dated painting there is an Old Testament Scene (1630; The Hague, Mus. Bredius; see fig.), a compositional formula that he often used, with some variations, in Rome. A flat, low foreground is closed on the left by a house and a tree; on the right is a distant hilly scene; and groups of figures are disposed horizontally. This design, derived from Cornelis van Poelenburch, is well suited to van Swanevelt's many landscapes with biblical and mythological subjects. The large tree extending beyond the frame gives a monumental touch to the composition.






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